Job Alternative

Vous consultez les archives de Verdi.

Harry Kupfer’s acclaimed production sets Verdi’s stormy score in a war-torn palace where friends become foes and lovers become victims. Dennis O’Neill and Cheryl Barker, as Otello and Desdemona, fling passionate duets into the furthest reaches of the theatre, Jonathan Summers is the dark and fascinating Iago and Simon Hewett conducts Verdi’s exhilarating music, a giant of the romantic repertoire.

“Il était une fois : LA TRAVIATA” d’après Verdi et Dumas, ou la célèbre et inoubliable histoire de la Dame aux camélias. Vous serez transporté dans cet univers plein de contradiction, de sacrifice et de morale qui arrange surtout ceux qui la font ! Un concept unique de spectacle lyrique avec lien de texte continu permettant une approche simplifiée et magnifiée de l’oeuvre commune de Verdi et Dumas.

Who is that woman? The way she moves, those eyes, that voice… Is Carmen the ultimate femme fatale? Opera Australia is thrilled to present a new production of Bizet’s most famous opera, directed by Francesca Zambello, and conducted by Opera Australia’s Music Director Richard Hickox. Zambello’s production, created for the Royal Opera House, Covent Garden, is gritty and exotic, while Bizet’s seductive score somehow taps straight into the heart of gypsy song.

In an artistic coup for our national opera company, Richard Hickox conducts a new production of The Tales of Hoffmann directed by Stuart Maunder and featuring one of Australia’s most exciting artists, Emma Matthews, playing four different roles to create Hoffmann’s ultimate woman.

Évidemment, avec un Rodrigo tellement plus séduisant vocalement et physiquement, on comprend mal que Desdemona s’entête à lui préférer Otello, mais on ne lui en tient pas rigueur car elle aussi chante superbement : dotée des mêmes atouts de séduction vocale et physique, la soprano russe Olga Peretyatko est sans nul doute un nom à suivre.

Antonio Gaudi meets the Marx brothers in this new production of Rossini’s The Barber of Seville, created by Leon Krasenstein and directed by John Milson.Rossini’s masterpiece, which set the standard for a golden century of Italian opera, finds itself here in a 1930s health spa where the rich and famous come to lick their wounds and smooth their wrinkles.